Elizabeth Rodini, Asociate Director, Program in Museums and Society, and Senior Lecturer, History of Art: museum history, theory, and practice
*James Archer Abbot, Curator, Evergreen Museum and Library: 19th- and 20th c. American decorative arts and furniture; historic houses; curatorial practice, including collections management and exhibitions.
Wilda Anderson, Professor, German and Romance Languages: French Enlightenment, science and literature, French Revolution and its aftermath. *Catherine Rogers Arthur, Curator, Homewood Museum: American decorative arts, historic house museums, museum practice. Sanchita Balachandran, Visiting Instructor, Near Eastern Studies: conservation history and ethics; archaeological conservation and site management. Rebecca Brown, Lecturer, History of Art: Southeast Asian art, politics of display. *Betsy M. Bryan, Professor and Alexander Badawy Chair in Egyptian Art and Archaeology, Near Eastern Studies: Egyptian art and archaeology, Egyptology. Stephen Campbell, Professor, History of Art: Italian Renaissance art, the studiolo and Renaissance collecting. Lisa DeLeonardis, Austen-Stokes Professor in Art of the Ancient Americas: ancient art of the Americas. *Jane Guyer, Professor, Anthropology: economic anthropology of Africa. Earle Havens, Curator, Special Collections: history of collecting, early libraries. Sophia Jordan-Mowery, Joseph Ruzicka and Marie-Ruzicka Feldman Director of Library Preservation, Sheridan Libraries: book and paper conservation, art on paper conservation, exhibition design & installation, collection care & assessment. *Richard Kagan, Professor, History: Early Modern European history with an emphasis on Spain and Iberian expansion. Robert H. Kargon, Willis K. Shepard Professor of the History of Science, History of Science and Technology: history of physics, science, social change.
*Stuart W. Leslie, Professor, History of Science and Technology: history of technology, science-based industry, 20th-c. American science. *Eunice Dauterman Maguire, Senior Lecturer, History of Art: museum studies, ancient and medieval art. Tobie Meyer-Fong, Associate Professor, History: social, cultural history of China since 1600. Jacqueline M. O’Regan, Curator of Cultural Properties: acquisitions, documentation, and preservation of artifacts and art objects; development of institutional practices and guidelines; collection databases. Christine A. Ruggere, Lecturer, and Associate Director and Curator, Historical Collections, Institute of the History of Medicine: anatomical collections, history of the book. *Mary Ryan, John Martin Vincent Professor, History: 19th-century United States history with an emphasis on women, gender, urban history, and the cultural landscape including the public spaces of Baltimore. H. Alan Shapiro, W.H. Collins Vickers Professor of Archaeology, Classics: Green and Roman art and archaeology; Greek iconography and religion. Kathryn Tuma, Assistant Professor, History of Art: modern and contemporary art. Hérica Valladares, Assistant Professor, Classics: Latin poetry, Roman art and archaeology, Renaissance reception of antiquity, eighteenth-century antiquarianism. Ronald G. Walters, Professor, History: social and cultural history of the United States with special interest in radicalism, reform, race, and popular culture. Judith Walkowitz, Professor, History: Modern European cultural and social history with special interest in Great Britain, comparative women's history.
Doreen Bolger, Adjunct Professor, History of Art; Director, The Baltimore Museum of Art.
William Noel, Adjunct Professor, History of Art; Curator of Manuscripts and Rare Books, The Walters Art Museum. Peter Parshall, Adjunct Professor, History of Art; Curator of Prints and Drawings, The National Gallery of Art.
*David Taft Terry, Museums and Society Advisory Committee Member; Executive Director, The Reginald F. Lewis Museum of Maryland African American History and Culture. Gary Vikan, Adjunct Professor, History of Art; Director, The Walters Art Museum.
Preston Bautista, Director of Public Programs, The Baltimore Museum of Art (Visiting Lecturer, Spring 2010). Lori Finkelstein, Director of Public Programs, The Baltimore Museum of Industry (Visiting Lecturer, Spring, 2009). Arthur Molella, Jerome and Dorothy Lemelson Director, Lemelson Center for the Study of Invention and Innovation, Smithsonian Institution (Visiting Professor, Spring, 2009).
Sarah Abare, spring 2009 (Major: History of Art): Sarah has been awarded the first Michael and Nancy Lytell Internship at the Baltimore Museum of Art, and will be assisting the curatorial staff in the Department of Prints, Drawings, and Photographs.
Jeremy Batoff, spring 2009 (Major: History of Art): Jeremy will start his legal studies at the University of Baltimore this fall. He is interested in a career at the intersection of art and law.
Katie Battick, spring 2007 (Major: History of Art): Katie is enrolled in the graduate program in Museum Studies at George Washington University.
Sara Dayton, spring 2009 (Majors: Classics and History of Art): Sara will spend the summer as an Editorial Intern in the Publications Department at the Philadelphia Museum of Art, as part of the PMA's Museum Studies Internship Program.
Zarrah Keshwani, spring 2009 (Major: Neuroscience): Zarrah will be attending medical school in the fall.
Nora Krinitsky, spring 2009 (Major: History): Nora has been awarded a Kress Interpretative Fellowship at the Baltimore Museum of Art for 2009-2010.
Gillian Maguire, spring 2008 (Major: History): Gillian is Research Assistant for Objects within the Curatorial Department of James Madison's Montpelier in Orange, Virginia.
Jessica Popkin, spring 2009 (Major: Near Eastern Studies): Jessica has been accepted into the graduate program in Museum Studies at New York University.
Corey Sattler, spring 2008 (Major: Psychology): Corey is a Presidential Intern in the Vice President's Office of Administration and Planning at American University in Cairo.
Whitney Shaffer, spring 2008 (Major: History of Art): Whitney is Development Assistant at the American Visionary Arts Museum in Baltimore.
Kirsi Tuomanen Hill, spring 2008 (Major: History of Art): Kirsi is completing an MFA at the Maryland Institute College of Art in Baltimore.
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