Jean McGarry ( Director, Film and Media Studies)
Literature, fiction writing
Linda DeLibero (Associate Director, Film and Media Studies; Undergraduate Advisor)
Film history and criticism, American film
lindadelibero@jhu.edu; (410) 516-5048
Lucy Bucknell (Senior Lecturer, Film and Media Studies)
Gangster films, The Western, Film Noir, Screenwriting
lbucknell@jhu.edu, (410) 516-5348 John Mann (Professor, Film and Media Studies)
Film production, documentary film theory, experimental film theory
jmann@jhu.edu; (410) 516-4738 Matthew Porterfield (Lecturer, Film and Media Studies)
Matt Porterfield is mostly interested in moving pictures, though he likes cats and rap music, too. His first feature film, Hamilton, which he wrote, directed, and edited on 16mm was released in 2006. Called a "minor miracle" by the New Yorker, Hamilton continues to tour festivals, museums, and art house theatres around the world (the Viennale, Centre Pompidou, Anthology Film Archives) and appeared on many year-end best lists at the time of its release, including John Water's 2006 Top Ten in Artforum International. A recipient of a media grant from the Maryland State Arts Council, Matt has begun pre-production on his second feature, Metal Gods. Selected for participation in IFP's Emerging Narrative Program, the screenplay won the Panasonic Digital Filmmaking Grant Grand Prize during the 30th Annual Independent Film Week. Locally, Matt's photography has appeared at the Current Gallery, Gallery 229, and in the Fall 2008 issue of Locus Magazine.
brerrab@mac.com, website, (410) 516-5048 Suzanne Roos (Senior Lecturer, Film and Media Studies and Romance Languages and Literature Department)
French cinema, film theory
sroos@jhu.edu; (410) 516-8059 Robert Roper (Visiting Associate Professor, Film and Media Studies and Writing Seminars)
Screenwriting
roper@jhu.edu; (410) 516-6287 Meredith Ward (Lecturer, Film and Media Studies)
Meredith Ward's interests include cultural history as it relates to film, sound theory and auditory culture, gender, and the history of film reception. Other research interests include space theory, urban history, and cinephilia. She is currently finishing her dissertation on the role of noise in American film culture, tracing it from the early days of film exhibition to 1945 and finishing her Ph.D. in the Screen Cultures Ph.D. Program at Northwestern University. She teaches on film theory and cultural theory and popular culture. Aside from learning and teaching, she has worked as a film projectionist, repertory cinema programmer, small-time location scout, and spent a great deal of her time as a near-professional cinephile. She loves the movies.
meredith.ward.athopkins@gmail.com, (410) 516-5048 Karen Yasinsky (Lecturer, Film and Media Studies)
Visual arts, animation, photography
yasinsky@earthlink.net
Joan Freedman (Director, Digital Media Center)
Media
freedman@jhu.edu; 410-516-4288 Anne Eakin Moss (Mellon Postdoctoral Fellow, Humanities Center)
Russian cinema, film theory, gender and sexuality in cinema
aeakinmoss@jhu.edu; Dell House 202C
Eduardo González (Professor, Romance Languages and Literature Department)
Latin American cinema, Spanish cinema, film criticism
cocuyo@jhu.edu; 410-516-4615 John Irwin (Professor, Writing Seminars)
Literature and film
jirwin@jhu.edu; 410-516-6287 Richard A. Macksey (Professor, Humanities Center)
Film studies, critical theory
macksey@jhu.edu; 410-516-7616 Viveca A. Pattison (Administrative Coordinator, Film and Media Studies)
viveca@jhu.edu; film@jhu.edu
410-516-5048 |
